Over the past several days I’ve had three intense, but very different, theatrical experiences.  On Saturday night, I finally caught up with the Metropolitan Opera’s “new” production of Giuseppe Verdi’s “Rigoletto,” which was introduced last season.  Then on Sunday afternoon I attended Atlantic Theater Company’s presentation of the Donmar Warehouse production of Conor McPherson’s “The Night Alive.”  Finally, last night, I was at a performance of Shakespeare’s “MacBeth” presented by Lincoln Center Theater.   All were … <Read More>