On April 27, I attended a performance by the extraordinary new music band, Alarm Will Sound, directed by Alan Pierson at Carnegie Hall’s Zankel Hall as part of the series “collected stories” curated by composer David Lang. Lang’s series extended over a week of concerts, with this one come towards the end. The idea of this program was to bring together some diverse examples of music intended to illustrate a story of some sort, in … <Read More>
Alan Gilbert
March Musical Diary, Part II – Ending Spring Break with a Bang!!
New York Law School’s Spring Break period this year was March 8-16. I ended it with a real bang, attending concerts on five consecutive days (overlapping the beginning of classes): Thursday, March 13 – Vienna Philharmonic led by Andris Nelsons at Carnegie Hall; Friday, March 21 – Les Delices, Five Boroughs Music Festival, at the King Manor Museum in Jamaica, Queens; Saturday, March 14; Saturday, March 15 – New York Philharmonic led by Alan Gilbert … <Read More>
Culture Beat – Prototype Opera Festival; Met Fledermaus; NY Philharmonic; Lincoln Center Theater “Domesticated”
I have been so busy with LGBT legal developments over the past month that I have neglected to blog about my various cultural expeditions, so I’m going to play catch-up here with a few brief comments about the events I’ve attended since mid-December.
On December 17, I saw Lincoln Center Theater’s production of “Domesticated,” a play by Bruce Norris which seems to have been inspired, at least in part, by the hit network TV show, … <Read More>
From Machaut to Sondheim – A NYC Weekend Cultural Diary
This was a very busy weekend on my concert schedule — actually, an extended weekend since it began on Thursday night — so I have much to report. On Thursday night I was at the New York Philharmonic from a program that included the NYC premiere of Christopher Rouse’s Oboe Concerto, played by the NY Philharmonic’s excellent principal oboe player, Liang Wang. On Friday night I attended “Armida: A Baroque Opera Celebration” presented by New … <Read More>
The New Season Begins – Opera, Symphony, Film, Theater
My new culture season is duly launched. As of last night, I’ve taken in: “Anna Nicole,” apparently the last production of New York City Opera, presented in collaboration with the Brooklyn Academy of Music on September 21; the new film “Don Jon” by Joseph Gordon-Levitt at the AMC Theater on Broadway at 84th Street on September 29; a memorial celebration for my friend, the late Ari Joshua Sherman, at the DiMenna Center for the Arts … <Read More>
NY Philharmonic: Out With a Bang and a Shriek
The New York Philharmonic ended its regular subscription season last night with the last of three performances of a show conceived by Doug Fitch (Director/Designer), using music mainly by Igor Stravinsky to accompany a production titled “A Dancer’s Dream.” Several rows of seats were removed from the front of the orchestra section to accommodate an extended stage, where dancers and various technical assistants would use lighting, cameras, costumes, miniature toys projected on a big screen, … <Read More>
The NY Philharmonic Returns – Two Fine Concerts after Spring Tour
The New York Philharmonic was off on a tour last month, then returned to dedicate June to “Alan Gilbert’s Playlist,” the idea that the season would close with a selection of conductor Gilbert’s favorites. But first, there was a distinguished young guest conductor, Lionel Bringuier, to present a bit of a grab-bag program of mainly lighter works that was sheer fun to hear. I attended the Saturday performance on June 15.
The concert got off … <Read More>
Cultural Diary – March 23 through May 1, 2013 – A Busy Season in NYC
Between work, concerts and theater, I’ve been so busy that I’ve generally avoided blogging about the things I’ve been attending over the past five weeks or so. This is a catch-up posting, briefly mentioning that things I haven’t had time to write about in longer posts. This post details the musical events (including opera). In another, I’ll address the theatrical ones.
Beginning at the beginning, with Richard Goode, and – surprise – ending with him … <Read More>
Phantasmata (Etc.) at the Philharmonic
Thursday night’s performance by the New York Philharmonic included the local premiere of the complete “Phantasmata” by Christopher Rouse, followed by Ernest Bloch’s “Schelomo: A Hebraic Rhapsody for Cello and Orchestra” with soloist Jan Vogler, and concluding with Johannes Brahms’s Symphony No. 1, Op. 68. Music Director Alan Gilbert conducted, and Mr. Rouse, the Philharmonic’s composer-in-residence, was present for the festivities.
“Phantasmata” is a three-movement suite. The second movement, “The Infernal Machine,” was completed several … <Read More>